I'm not entirely sure I am a huge fan of it, but I guess it's not a horrendous shot. The tone is still too warm I think. Shot this with the modelling lamp (no sync cords left in the studio and I ran out of time). This was the shot I was drawing some inspiration from:
Kotaro
Zhang Jigna
zemotion.deviantart.com
So I guess it relates and makes sense to that end. And they sort of work together at the moment:
Moar shoots soon - two (possibly three) models on Sunday, and another one on Tuesday. I decided to include the last one because it largely uses things that I learnt from zemotion - using space, lighting well with a little shadow and a little light on the other side than the main source, and the position is something that I think I drew very much on subconsciously from her. It also has a bit of personal meaning that I like to bring with me, don't think it's obvious, but I like having a shot that means more to you than a pretty face in a series, even if it's in a subtle and personal way. So there we go so far.
